Technology and Gender

Technology and Gender: Fabrics of Power in Late Imperial China, Francesca Bray

            Making use of a broad definition of technology — “an action performed on some form of inanimate or animate matter, designed to produce an object with human meaning … [as] exercised in its social context”[1] — author Francesca Bay analyzes the ways in which Chinese “gynotechnics” created the world in which women lived and also influenced the way they interacted with and within it in late Imperial China. Bray does this in three domains: in the creation of hierarchical, gendered, and ritualistic spaces within the practices of homebuilding, in the transition in textile, particularly silk, production from the female to the male sphere and its affect on gender roles, and in the technologies of women’s health and their part in creating and reinforcing class and gender distinctions. With the intention of conducting an investigation into technology’s role in social reproduction, the author outlines how these three “technologies” created and perpetuated the social and cultural frameworks in which Chinese women operated.

Bray’s approach to talking about spaces — the way that they were built for certain purposes, and what those purposes can tell us about the society that found them important — is reminiscent of other constructivist approaches to historical spaces. The quarters in which the Royal Society worked and socialized in, as described by Schaefer and Shapin, served to promote an orderliness based off of gentlemanly etiquette; the homes constructed in Imperial China similarly functioned as a way to promote social order in the form of strict hierarchies founded on ancestral respect and the home as a governmental microcosm. The rooms of the Royal Society were often seated with very little attention paid to rank — everyone was encouraged, even required, to participate in the scientific discussion. Homes in China were centered around their ancestors’ shrine, the way that Chinese lives were meant to revolve around the expectations their ancestors, and through extension society as a whole, expected. Heights of roofs were dictated by social rank. The Royal Society’s strategy of spatial arrangement exemplified their attempt (within the strict boundaries of class) to promote observed, and therefore legitimate, scientific knowledge. The structure of the Chinese home promoted the generation of a different kind of product — one highly gendered, hierarchical, and controlled.


“Categories of Difference, Categories of Power: Bringing Gender and Race to the History of Technology,” Nina E. Lerman

            Nina Lerman questions the prevailing definition of a “technology” in SHOT literature, arguing that it is exclusive and teleological. She highlights the scholarly focus on technologies as “markers of progress,”[2] judged in their relation to modern science, instead of the broader definition of a technology as “ways of making and doing things.”[3] By focusing on technologies that historians have viewed as particularly productive or progressive in light of modern science, the SHOT industry has sidelined many important technological developments and missed many contemporary cultural emphases on certain kinds technologies — and what these emphases say about gender and racial relations. Lerman presents an example in analyzing the records of an organization in Philadelphia devoted to providing technical training to problematic youths. White males were given tasks more in line with valuable technical knowledge (notably different from what a modern organization of the same kind would find most appropriate), while young women and people of color were trained in less valuable and sometimes less technical subjects. By adopting an approach where the modern “keyword” of technology is stripped of its modern exclusivity, Lerman is able to comment on gender and race relations through the unique lens of non-exclusive technology.

I read Technology and Gender before Lerman’s article (primarily) concerning an expanded definition of technology, and that was probably a mistake. I spent a lot of energy trying to wrap my mind around the idea of technology as a social construction and as a means of social reproduction. Lerman enlightened me, describing the way that modern historians have restricted the definition of technology to things that we, in our current time, view as progressive: telescopes and microscopes, computers and phones, etc. Grappling with the broader definition after having read both works, however, still left me slightly dissatisfied; if technology is constructed in contemporary contexts, and it also reinforces and perpetuates the ideas, traditions, or theories that created it, what makes it so important? It comes from a culture and produces things within the frameworks of that culture. What does technology do in the grand scheme of things? It certainly, by the definition Bray offers, cannot contribute to change; does this definition of technology, then, have a place in any study not focused on stability (like Technology and Gender)? I think not.

[1] Francesca Bray, Technology and Gender: Fabrics of Power in Late Imperial China, 15-16.

[2] Nina E. Lerman, “Categories of Difference, Categories of Power: Bringing Gender and Race to the History of Technology,” 895.

[3] Ibid.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s